影片改编自作家张秀珍的自传体小说《梦》,爱华讲述20世纪60年代初至80年代中期的一位印染厂女工孔秀(沈诗雨 饰)摆脱婚姻桎梏,爱华拉扯孩子成人,并在繁重的工作之余获得文学给养、成为作家的生命历程故事。
影片改编自作家张秀珍的自传体小说《梦》,爱华讲述20世纪60年代初至80年代中期的一位印染厂女工孔秀(沈诗雨 饰)摆脱婚姻桎梏,爱华拉扯孩子成人,并在繁重的工作之余获得文学给养、成为作家的生命历程故事。
回复 :聚焦德莱尼一家,前网球教练斯坦和乔伊卖掉了他们蓬勃发展的网球学院,准备开始安逸的退休生活,渴望与四个已经长大的孩子一起度过美好时光。而一个陷入困境的年轻女子出现在家门口,让他们的世界发生了戏剧性的转变,乔伊突然失踪,这个家庭隐藏的秘密开始浮出水面,迫使孩子们重新审视父母看似完美的婚姻。
回复 :Since the cult success of Merci Patron!, activist/journalist/filmmaker François Ruffin has become an MP. Here, he attempts to table a law aimed at upholding the rights of what in Quebec are known as caregivers, and shows us in passing how a law whose need seems patently obvious is put together, debated, voted on and . . . dies on the battleground of French politics. A stirring documentary about social injustice that somehow manages to make us bust a gut laughing as we rage with indignation. And also cry at the beauty of it all, thanks to the director’s humanist sensibility and a deft play between reality and fiction.
回复 :Written by Claire Simon, based upon Yann Andréa’s Je voudrais parler de Duras, the story takes us back to 1982. Yann Andréa and Marguerite Duras have been living together for two years. Yann asks Michèle Manceaux to interview him about his life with Duras and the passion which now binds them together for better or for worse, both entrancing and maddening…