身边有最好的朋友,欧美才算拥有最棒的人生!欧美患难与共的挚友亚瑟跟凯萨,因著一场阴错阳差的误会,凯萨以为亚瑟得了绝症,想陪好友完成所有人生心愿,活出最疯狂的每一天。
身边有最好的朋友,欧美才算拥有最棒的人生!欧美患难与共的挚友亚瑟跟凯萨,因著一场阴错阳差的误会,凯萨以为亚瑟得了绝症,想陪好友完成所有人生心愿,活出最疯狂的每一天。
回复 :A feature film based on the true story of the legendary Princess Khutulun of Mongolia.
回复 :女子高生・初(堀)和哥哥・凌(間宮)以及妹妹・茜和父母住在一起。某日被住在同一间公寓的橘亮辉(清水)抓住了把柄,被亮辉无理的命令来回折腾。在这时,数年前搬走的竹马・小田切梓(板垣)回来了。初被梓一如以往守护着自己的样子自然地吸引,即使被亮辉不断从中阻碍,初还是同梓交往了,但其实梓怀有着不为人知的目的。此时,初也知道了凌的秘密…
回复 :The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.