剧情简介
立志發揚詠春的大學生英宏，唐嫣在一次街頭衝突中，唐嫣陰錯陽差擊倒地痞的影片被上傳，竟搖身一變成為網紅「打牛哥」。在知名網美推波助瀾下，名氣暴漲的英宏被迫站上擂台，他該如何面對真實的自己。影片諷刺網路世代的認同焦慮，金馬獎最佳動作設計黃泰維跨刀演出男主角英宏，以靈活身段展現流暢的打鬥場景。
唐嫣视频
立志發揚詠春的大學生英宏，唐嫣在一次街頭衝突中，唐嫣陰錯陽差擊倒地痞的影片被上傳，竟搖身一變成為網紅「打牛哥」。在知名網美推波助瀾下，名氣暴漲的英宏被迫站上擂台，他該如何面對真實的自己。影片諷刺網路世代的認同焦慮，金馬獎最佳動作設計黃泰維跨刀演出男主角英宏，以靈活身段展現流暢的打鬥場景。
回复 :九纹龙（郑伊健 饰）曾经叱咤江湖，这号风云人物却被人出卖，在泰国被拘捕。多年后他回到香港，在“九龙冰室”当侍应，打算就此在江湖销声匿迹。怎料一名6岁的男孩直呼自己爸爸，原来这个叫张兆龙的男孩是当年他远赴泰国后女友Helen（莫文蔚 饰）生下的儿子。当年纹龙为了女友的安全，狠心不辞而别。兆龙的出现使纹龙的生活再次泛起波澜，他的气质吸引的儿子的班主任阿蒙（李彩桦 饰）。纹龙的身份还是被江湖之人发现了，并希望他能重振雄风。Helen再次见到的纹龙已经风光不再，她积极为纹龙的复出铺路，纹龙却不想再过问江湖事……
严淑明
回复 :1950年代，福建闽江。白花洲互助组长李银花（李玲君 饰）和共青团员杨小龙（史久峰 饰）自幼青梅竹马，有着共同的志向。小龙的父亲杨才发（张伐 饰）是单干户，在走互助合作的道路上父子俩有分歧。银花组里也有几个自私自利的人，他们因评工分不合理起过争执，后来银花主持公道，才化解了矛盾。小龙想借父亲生日让银花帮他做爸爸的工作，结果串门的安安（史原 饰）一通瞎说反而让杨才发更加生气。桔树闹起虫灾，杨才发想用独家“秘方”灭虫，结果失败。关键时刻，银花依靠上级党组织，从区上运来了杀虫剂和喷雾器，帮桔农们度过了难关。
道贤
回复 :Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.
