因在老家伤人而跑路的咸大吉（崔胜铉 饰），篠田来到江南道投奔相熟的查理哥。经查理引荐，篠田大吉在开设赌场的高章社长那里谋得一份差使。大吉凭借天赋般的老千技巧、帅气的容貌和伶俐的口才，很快成为高社长最为器重的手下。在此期间，他结识了美艳妇人于智妍（李荷妮 饰），却因帮助智妍摆脱高社长设下的陷阱而把自己置身凶险之地。不久他重逢跟随牌友张东植而来的初恋女孩许美娜（申世京 饰），结果在那场赌局中遭遇了人生最惨痛的败局。从天上跌落谷底的大吉，经美娜帮助他离开了暗潮汹涌的江南道，并在途中遇见隐姓埋名的老千高手（柳海真 饰）。决心复仇的大吉向高手拜师，他用生命孤注一掷……
回复 :针对舞剧院导演徐林（王志华 饰）被自家狼犬咬死的蹊跷事件，警官滕丽（宋茹惠 饰）进入案件调查。调查发现，徐妻欧阳冶芳（李晓佳 饰）与丈夫的夫妻关系名存实亡，而台商覃丞中（黄达亮 饰）对欧阳颇有好感。徐与剧院女演员华媛媛（徐路 饰）关系暧昧，深爱着华的贺子明（任泉 饰）对徐心生恨意。同父异母的弟弟徐凯（高曙光 饰）对哥哥的死不以为然，其妻刘天红（周军 饰）则对大伯哥的突然死亡悲恸不已。由于汽车被人做了手脚，老刑警李若冰（张启德 饰）与滕丽办案途中险遭不测。怀疑的视线转向徐凯，警方在将其拘捕后因证据不足又将他释放。通过再次对徐家进行物证搜查，终于获取了有效证据，此时的徐凯惶惶不可终日，决定三十六计走为上......
回复 :Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.Roger Philip Mellor
回复 :某公寓发生一宗皮夹藏尸案，凶案组伊SIR调查此案，发现死尸是一名女子，因尸体非常腐烂导致警方不能确认身份，伊SIR一边追查死者身份，一边寻找疑凶下落，其后发现女死者以卖淫为生，阿荣是其马夫，伊SIR为了寻找疑凶而扫荡红灯区，红灯区里多名大哥生意受损，于是黑白两道都开始追击阿荣，阿荣走投无路，隧向警方自首，伊SIR通过阿荣重组案件，发现杀人动机原来是……
