黑道人物耀武（尹天照 饰）出狱后，成人到底会有何动作十年前，成人耀武因替社团执行任务而被捕，而且更导致左脚不良于行，江湖中人一般也相信他此番出狱，必定重新招兵买马，取回他所失去的东西，其中又以洪乐社新进大佬史力加（梁焯满 饰）最为避忌。不料，耀武出狱后，竟对江湖事再不感兴趣，祗想归于平淡，过正常人生活，可是，这却并非易事。耀武投靠了当年的好友杨威（吴华新 饰），在其大排档工作，却因惹来不少古惑仔而令杨威妻子大为反感，耀武祗有识趣离开。杨威乃是有情有义之人，私下买了一辆三手旅游巴让耀武谋生，从此，旅游巴亦成了耀武的流动旅馆……
回复 :罪恶横生的雅加达，警察和恶棍沆瀣一气，不分黑白。为了捣毁这根充满恶臭的利益链条，布纳瓦（Cok Simbara 饰）授意刚刚经历了一场血腥恶战的拉玛（伊科·乌艾斯 Iko Uwais 饰）潜入黑帮大佬班坤（Tio Pakusodewo 饰）的巢穴。此时班坤的儿子尤科（Arifin Putra 饰）正在监狱服刑，化名尤达的拉玛“获罪”入狱，并在连翻拼杀中博得尤科的信任。两年后，拉玛出狱加入班坤的组织，此时班坤与日本黑道后藤（远藤宪一 饰）相互勾结，城市另一边又有新崛起的贝乔（Alex Abbad 饰）一派野心勃勃。为了取得霸主地位，暴徒们在城市接连点燃战火，而心高气傲的尤科也试图建立超越父亲的霸业。血与火的修罗场，拉玛披荆斩棘……
朱子岩
回复 :Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
回复 :因为爱讨价还价，又爱面子，林嘉被被很多人请去干上“砍价”的活，却不曾想为自己惹来了麻烦，从而引发了一系列啼笑皆非的事情。
