尸袋1993
地区:中国
  类型:刑侦
  时间:2025-07-16 11:46:55
剧情简介

农民工李振业为了圆自己没有实现的大学梦,尸袋一家三口来到城市里好几年了,尸袋他把希望全都寄托在自己的女儿倩倩身上。倩倩在市里一所重点中学就读,这是一个贵族学校有不少干部、大款子弟。学校费用很高,李振业起早贪黑地靠一辆人力三轮车为一家三口的生活奔波劳碌。他每天清早用三轮送女儿去学校,他不放弃任何一个挣钱的机会,哪怕是拣一个学校门口被丢弃的饮料瓶。倩倩对爸爸的行为皱着眉头,生怕同学知道那个蹬三轮拣瓶子的人就是自己的爸爸。她在同学面前说自己的父亲是个经理,而这个送她的人是她家的一个亲戚。李振业对女儿充满关爱对女儿的想法一无所知。李振业拉活儿不计较报酬多少,只要有活儿,能挣多少是多少。有时遇到刁蛮的顾客他也忍耐到底。倩倩班里转来一位同学叫林杰,父亲是一个企业家,家庭条件优越。很快他们就成了好朋友。一天,老师给大家留了一份特殊作业:为了培养同学们的表达能力,班上要举行一次演讲比赛,主题是《讲一讲生我养我的父母》。倩倩陷入了沉思,她不知道该怎么完成。倩倩不想让同学知道自己的爸爸是三轮工,于是开始拒绝父亲每天接送。倩倩的同学干部子弟芳芳鼓动她也买一个mp4,并说这是身份的象征。倩倩为了满足虚荣心,回家向父母提出要买mp4。李振业为了女儿更好地学习,没日没夜地辛苦干活。林杰约倩倩芳芳和一男生周末去钓鱼,倩倩欣然同意。为让女儿玩好,老李把自己身上仅有的三十元钱都给了女儿。但一次偶然的机会,李振业得知女儿不愿承认自己是她的父亲,十分难过。就在此时他又发现自己的三轮车不见了,这一天中发生的事让他承受不住,忍不住爆发了出来。看着爸爸失落的样子,倩倩的脸像火烧一样。第二天倩倩给父母留下一封信,信中说承认了自己的虚荣,她要出去打工挣钱,然后再考大学,实现父母的愿望。她离家出走了。李振业到处寻找女儿。倩倩来找林杰借钱,林杰告诉她自己的爸爸也是农民,也是一个什么都干过的农民工,在林的劝说倩倩决定回家。教室里,在同学热烈的掌声中倩倩走上讲台。她演讲的题目是《爸爸的三轮车》。第二年,倩倩考上了一所理想的大学,学费的一半是爸爸蹬三轮挣来的,另一半是银行的助学贷款。 一张含泪的脸悲情地唱着:爸爸的三轮转啊转,白转到黑早转到晚,转的是爸爸的血汗,转的是爸爸的辛酸,转的是爸爸的期盼…… 歌声中闪过一张张同学凝神的眼、伤情的脸。

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明星主演
金京浩
薛忠铭
李岗霖
最新评论(777+)

安以轩

发表于5分钟前

回复 :张哲(黄礼丰 饰)从小到大都属于那种“别人家的孩子”,拥有超高智商的他在数学上充满了天赋,成绩总是名列前茅,然而,内向的个性让他无法自然的和周围的人打成一片,可以说是患有社交恐惧症。张南(吴骏超 饰)是张哲青梅竹马的玩伴,但两人的性格却大相径庭,张南没有什么学习的头脑,但拥有强健的体魄,是一名游泳健将,迥异的个性让两人总是看对方不顺眼。让他们没有想到的是,两人竟然在机缘巧合之下进入了同一所大学就读。从前不愉快的相处经历还历历在目,张哲和张南能否克服过去的阴影,重拾友谊?与此同时,两人还要面对的,是他们的天赋带给他们的压力。


伯特巴卡拉克

发表于4分钟前

回复 :还记得当年凯文柯斯纳在「罗宾汉侠盗王子」中英俊潇洒的扮相吗?本片将带给观众一位同样潇洒,却更"稍傻"的另类侠盗罗宾汉。由身兼编、导、演、作曲等多项才艺的影坛鬼才梅尔布鲁克斯(「 吸血鬼也疯狂 」、「 闪亮的马鞍」)再次发挥他颠覆电影名作的高深功力,将这出脍炙人口的经典英雄传奇,变成一部会让人笑到肚子痛的爆笑歌舞剧。盖瑞艾文斯(「森林王子」)饰演主角罗宾汉,率领受压迫的民众反抗课徵暴税的邪恶诺丁罕郡郡长(罗杰里斯),及妄想篡位的约翰王子(理查路易斯),加上终日盼望摆脱贞操带的玛莉安小姐(艾美雅丝贝克,「 摩登大圣」)、爱喝酒的犹太教士塔克曼(导演梅尔布鲁克斯亲自粉墨登场)、和诺丁罕郡长的半调子灵媒兼奶妈(崔茜邬曼),绝对会让观众对这个耳熟能详的侠盗传奇有一番全新的见解。


健辉

发表于7分钟前

回复 :Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.'By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses.Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together.One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around.While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with hisher partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken.Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...


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