剧情简介
爱打麻将的阿芳，成本结识了最讨厌麻将的男友阿友，成本唯有隐瞒她的嗜好，可惜最终纸也包不住火。阿友出尽法宝令阿芳放弃麻将，但也未能成功，后来阿芳答应他，若他在四方城内赢了她，她就听他的话，决不再打麻将。最后阿友请来名师指点，不但赢了阿芳，自此更爱上打麻将呢！
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爱打麻将的阿芳，成本结识了最讨厌麻将的男友阿友，成本唯有隐瞒她的嗜好，可惜最终纸也包不住火。阿友出尽法宝令阿芳放弃麻将，但也未能成功，后来阿芳答应他，若他在四方城内赢了她，她就听他的话，决不再打麻将。最后阿友请来名师指点，不但赢了阿芳，自此更爱上打麻将呢！
李燕飞
回复 :Reporter Curt Devlin loves sob sister Ellen Garfield but believes women are "bum newspapermen". When she learns the identity of a murdered arsonist, he calls it luck. When she goes after the murderer he gets enough evidence to have Maitland Coulter arrested. She finds a bunch of "not guilty" ballots and publishes the wrong story; he eavesdrops on the jury and gets the correct verdict. After being fired she gets a confession from the real killer and gets Coulter released.
回复 :This is a brilliant surrealistic film.But also a fully realistic story about a time when the brave avant-guarde artists were trying to explore the unknown landscapes of human possibilities.The contrast between two realities: the poor village and the dadaist artists is shown very smart and brings the possibility of changing the world by the art.Unfortunately, that progressive ideals of making the world better by revealing new areas of imagination, that ruled in the first half of XX century, were crushed by the war.And, the tragedy finishes: the artistic ideals are dead, international art brotherhood also, but, as a real disaster: Yugoslavia is also dead, as a country, but as an artistic vision of nation's brotherhood, too.So, the art falls apart
回复 :"Sinofuturism is an invisible movement. A spectre already embedded into a trillion industrial products, a billion individuals, and a million veiled narratives. It is a movement, not based on individuals, but on multiple overlapping flows. Flows of populations, of products, and of processes. Because Sinofuturism has arisen without conscious intention or authorship, it is often mistaken for contemporary China. But it is not. It is a science fiction that already exists.Sinofuturism is a video essay combining elements of science fiction, documentary melodrama, social realism, and Chinese cosmologies, in order to critique the present-day dilemmas of China and the people of its diaspora.With reference to Afrofuturism and Gulf Futurism, Sinofuturism presents a critical and playful approach to subverting cultural clichés.In Western media and Orientalist perceptions, China is exotic, strange, bizarre, kitsch, tacky, or cheap. In its domestic media, China portrayed as heroic, stable, historic, grand, and unified. Rather than counteract these skewed narratives, Sinofuturism proposes to push them much further.By embracing seven key stereotypes of Chinese society (Computing, Copying, Gaming, Studying, Addiction, Labour and Gambling), it shows how China's technological development can be seen as a form of Artificial Intelligence."