在社会主义制度下引进市场经济的宏大实验-中国的改革开放,亚洲开始迄今已40年。 如今中国已成为GDP世界第二的经济大国。 其实,亚洲中国仿效的是日本模式。从政经界首脑到建设现场,从政府到民间,无数日本人不遗余力,援助中国的改革开放。本片以小松制作所、新日本制铁等事例为中心,通过在中日两国的采访,披露不为人知的秘闻轶事。
在社会主义制度下引进市场经济的宏大实验-中国的改革开放,亚洲开始迄今已40年。 如今中国已成为GDP世界第二的经济大国。 其实,亚洲中国仿效的是日本模式。从政经界首脑到建设现场,从政府到民间,无数日本人不遗余力,援助中国的改革开放。本片以小松制作所、新日本制铁等事例为中心,通过在中日两国的采访,披露不为人知的秘闻轶事。
回复 :出品单位: 苏州飞马良子影视有限公司寒假里,田多多和同学们正在外地结伴旅游玩耍,突然接到妈妈刘芳的电话,说是多多后天回来她给多多接风,全家聚 餐;刘芳是一个大忙人,一段时期以来很少和女儿多多还有丈夫田志强一起认认真真吃顿团聚饭了,田多多高兴地谢谢 妈妈,但刘芳提出一个条件,要由多多负责把爸爸请出来;原来刘芳和田志强闹了别扭已好长时间,刘芳借给多多接风 吃饭想缓和和田志强的矛盾。酒店餐厅田志强一脸不快,刘芳掩饰圆和气氛,田多多看出父母有些别扭,调侃着把服务员叫过来,说是要点一道菜叫 “不别扭”。早晨起来,多多看到爸爸睡在客厅的沙发上,妈妈双眼红肿着,多多是个聪明的孩子,上学前她送给父母一句话:爸爸 、妈妈我很在乎你们,希望你们快乐!学校里,新的学期,同学们相互高兴地打着招呼,但田多多似乎多了一些忧郁。原本快乐、阳光的多多似乎沉闷了许多 ;原本在全年级学习成绩也是佼佼者的田多多,居然在一次和朝鲜延边这么偏远地方转学来的新生的数学答题演示中居 然落后了;校庆的文艺节目原本也是田多多这个学校文艺委员该抓的事,结果她也打不起精神来,不得不让好朋友唐小 然替她担当起来。家庭的矛盾给了田多多很大的刺激,父母矛盾的加剧也给田多多很大的压力,家庭的美好对于田多多 更多的是回忆,但在多多的眼里爸爸是全世界最好的爸爸,妈妈是全世界最好的妈妈,他们的爱情是全世界最好的爱情 ,这个家庭应该是全世界最好的家庭……
回复 :荒凉的旷野,一群暴虐的劫匪正在鞭挞一位美丽的姑娘玛丽亚(萝蕾丹娜·卡波莱特 Loredana Cappelletti饰)。幸得迪亚戈(弗兰科·尼罗 Franco Nero饰)的解救。他神秘而冷峻,拖着一副棺材漫步在泥泞的荒野上。迪亚戈带着玛丽亚来到荒凉的小镇,人们对他的到来充满好奇,更对这副棺材里隐藏的秘密而惶惶不安。本片作为意大利西部片的经典暴力之作,曾在世界多国遭到禁映。2012年,鬼才导演昆汀·塔伦蒂诺拍摄的《被解放的姜戈》,向此片致敬。
回复 :1960年捷克卡罗维发利国际电影节最佳导演水晶球奖。Originally titled Seryozha, the Russian A Summer to Remember was co-adapted by Vera Panova from her own short story. War and Peace director Sergei Bondarchuk plays the new stepfather of young Seryozha (Borya Barkhatov). So close do the stepfather and the boy become in the months following their meeting that, when time comes for the boy to move on in life, he refuses to leave his new dad's side. Their summer idyll takes place on a Soviet collective farm, managed by Bondarchuk and depicted by novice filmmakers Georgiy Daneliya and Igor Talankin in the most glowing and apolitical of terms. Though there isn't much to the plot, the film admirably succeeds as a sort of cinematic tone poem.From All Movie Guide: Russian filmmaker Georgi Daneliya ranks among his country's most popular directors of satirical comedies. The Georgia-born Daneliya comes from a distinguished family of film performers; his grandmother, Veriko Andzhaparidze, was a famed Georgian silent film actress, his cousin, Sofiko Chiaureli, is also a major actress, and his mother, Meri Andzhaparidze, spent more than a decade at Mosfilm Studios. However, he first chose to train as an architect (perhaps out of respect for his father, an engineer). Following his graduation in 1955, Daneliya worked only briefly in that field when he decided he'd rather be in films, enrolling in Mosfilm Studios' Directors' Courses in 1958. In 1960, Daneliya co-directed Seryozha/A Summer to Remember with Igor Talankin. Two years later, he made his solo directorial debut, Put K Prichalu/The Way to the Wharf (1962). His 1969 comedy Ne Goryuy!/Don't Worry! successfully blended humor and melancholy, a device that would become Daneliya's trademark. In addition to directing, Daneliya co-authors the scripts for his films and occasionally works on screenplays for other directors. Daneliya has won numerous national and international awards for his work. In 1964, his Ya Shagayu po Moskve/I Walk Around Moscow received an honorable mention at the Cannes Film Festival, while in 1975 Afonya received a special award at the All Union Festival, a major U.S.S.R. event. Daneliya's biggest hit in the U.S.S.R., Mimino (1977), earned the special prize at the Moscow International Film Festival and the U.S.S.R. State Prize. In 1991, Daneliya earned the Nika Award (the Russian equivalent to an Oscar) for Best Screenplay for Pasport (1990).