中田秀夫監督、好吊好属高橋洋脚本の黄金コンビによるオムニバス・ホラー。「呪われた人形」「幽霊の棲む旅館」「死霊の滝」の全3話収録。
中田秀夫監督、好吊好属高橋洋脚本の黄金コンビによるオムニバス・ホラー。「呪われた人形」「幽霊の棲む旅館」「死霊の滝」の全3話収録。
回复 :Police baffled by the FACELESS KILLER!A faceless dummy of a serial killer haunts a police department in this atmospheric noir thriller from Fleischer. The dummy is created to represent an elusive strangler who calls himself 'The Judge' and whom the frustrated detective Harry Grant attempts to reconstruct from a handful of clues, such as body size and suit fabric. Sure enough, as the dummy becomes more real, reason and sound judgement encounter the uncanny.
回复 :26 岁的杰克·保罗是拳击界的新救世主,还是营销技巧比他的拳头更有冲击力的“妄想症”推广人?这取决于你在《UNTOLD: Jake Paul the Problem Child》中问的是谁。本片大胆地深入探讨了一个来自俄亥俄州的天真孩子如何从网络红人变成体育界最具两极化的人。每有一个高调的批评者(UFC 主席白大拿),就会有另一个支持者(前职业拳击手迈克·泰森)站在他身边。2013 年,杰克和他的哥哥洛根在社交媒体上发布了恶作剧和滑稽动作,先是在 Vine 上发布,然后在 YouTube 上发布,获得了数百万的观看次数。兄弟俩将他们在网络上的成功转化为有利可图的副业,杰克发行了音乐,并在迪士尼频道的节目《音乐玩家》中获得了一个角色。随着他们的名声越来越大,这对曾经亲密无间的兄弟之间的关系也越来越紧张。当杰克在现实生活中的争议几乎毁了他的职业生涯时,他获得了作为拳击手的第二次机会。他击倒了一个又一个对手,震惊了怀疑论者。本片收录了对保罗兄弟以及他们的父母、粉丝、拳击手同伴和持怀疑态度的老守卫的扣人心弦的采访,以一场紧张无比的比赛告终 — 这场比赛将证明杰克是否有能力统治他的新王国。
回复 :Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author: TimothyFarrell from Worcester, MA"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)-from imdb