剧情简介
以陆羽一生的经历为主线，户决讲述了陆羽羽在长兴种茶、户决制茶、研究历尽千难万险写就世界第一部茶事专著《茶经》的故事，全面、生动地展示了湖州茶文化的深厚底蕴，是我国第一部以茶文化为主体的电影。
暴发户决战富人里第二季
以陆羽一生的经历为主线，户决讲述了陆羽羽在长兴种茶、户决制茶、研究历尽千难万险写就世界第一部茶事专著《茶经》的故事，全面、生动地展示了湖州茶文化的深厚底蕴，是我国第一部以茶文化为主体的电影。
回复 :本片以主人公大卫·布莱恩架车游历美国得克萨斯州过程中所见所闻为主线，透过一个个具有鲜明个性的小人物及发生在他们身上的故事，展示了当地人对于生活和爱情的独特理解。该片值得称道的是将歌舞与写实完美结合，大量旋律优美的乡村民谣,歌曲成为片中最耀眼的亮点，也是导演大卫·布莱恩对电影艺术的创新之举，是一次成功的探索。
回复 :出品单位 贵州小康文化发展有限公司周娅希响应号召到社区担任支书，上任后就面临因街道酒厂停业下岗的职工闹事，周娅希想方设法，通过努力使酒厂恢复生产并生产出优质酒，工人上班了，社区也得以和谐发展……
回复 :“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
