艾莉丝认为自己有个完美的生活:年龄一个理想的男友和光明的芭蕾舞前途。但这一切在她发现男友出轨后崩毁;她在舞台演出时意外受伤,年龄被医生宣告需要暂停舞蹈生涯。坠落低谷的她开始身体和情感修复的旅程,离开巴黎到风景如画的布列塔尼,在那里她的朋友、一段新的恋情和当代舞的自由,让她与父亲重新修复关系,并找回自己。
艾莉丝认为自己有个完美的生活:年龄一个理想的男友和光明的芭蕾舞前途。但这一切在她发现男友出轨后崩毁;她在舞台演出时意外受伤,年龄被医生宣告需要暂停舞蹈生涯。坠落低谷的她开始身体和情感修复的旅程,离开巴黎到风景如画的布列塔尼,在那里她的朋友、一段新的恋情和当代舞的自由,让她与父亲重新修复关系,并找回自己。
回复 :A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”
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回复 :根据真实事件改编,讲述住在捷克的乌克兰移民伊琳娜的儿子遭到袭击时,整个城市都站起来声援她的家人,谴责他们的罗马邻居,据称他们犯下了罪行。伊琳娜在种族主义社会中寻求正义,在家庭和寻找真相之间挣扎,但很快另一个真相开始浮出水面。