根据诗人卧夫自杀的真实事件改编,异端讲述了诗人狼在春暖花开之时选择在远离城市的山中死亡的故事,异端首次探讨中国当代诗人的困惑、堪称文艺片佳作。
根据诗人卧夫自杀的真实事件改编,异端讲述了诗人狼在春暖花开之时选择在远离城市的山中死亡的故事,异端首次探讨中国当代诗人的困惑、堪称文艺片佳作。
回复 :白宫晚宴上,总统布什招待各国首脑,因杀死一千名毒贩而受到嘉奖的白头神探弗兰克(莱斯利•尼尔森 Leslie Nielsen 饰)以及能源界的诸位领袖人物也一同出席,席间总统宣布由研究新能源的迈汉姆博士为政府的能源政策制定计划,这令靠石油、核能发家的能源界领袖们如临大敌。当夜迈汉姆博士的研究所就遭遇了炸弹袭击,弗兰克等人迅速赶到研究所,却不期然与已经分手的珍(普瑞希拉•普雷斯利 Priscilla Presley 饰)再相见,原来珍两年来一直在迈汉姆的研究所供职,并且有了新的男友——来自能源界的昆屯,在追查炸弹杀手的过程中,弗兰克发现其幕后老板居然是昆屯,此时的昆屯正在计划绑架迈汉姆博士后,用酷似博士的替身向总统进言发展核能,弗兰克再次出手,凭借自己搞砸一切的天赋挽救国家的未来……
回复 :许云飞是一个典型的直男,35岁依然没有谈恋爱,母亲天天催促,导致许云飞通过各种网络渠道寻找相亲对象,这时一个“神秘小助手”出现在许云飞身边,自从有了这个“小助手”之后,许云飞从屌丝逆袭成了海王:可爱、漂亮的吴晓婧;理性、独立的杨洋;阳光、时尚的瑶瑶……许云飞一开始认为她们都不错,但是相处之后发现她们并不适合自己。许云飞和瑶瑶分手过程被一个叫李秋悦的女孩看在眼里。李秋悦是一个成功的设计师,因为工作的关系结识许多“成功”男士:高大、帅气的高俊;成熟、有魅力的王亚军;还有一直默默守护她的韩志龙……每个男人一开始都是想方设法讨好,也的确让李秋悦感觉到他们是不错的男人,但是经过相处之后,李秋悦发现老天跟她开了一个又一个玩笑,而最后韩志龙的离开让她放慢了追寻爱情的节奏……
回复 :“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.