剧情简介
一个受尽白眼的街头混混（陈创 饰），滚石一个遭到排挤的转校生（郭可轩 饰），滚石孤独失意的两人，在一系列意外中，成为了彼此唯一的朋友。然而生活给了他们不同的难题，当夏天结束的时候，他们的友情似乎也走到了尽头……
滚石摘星号
一个受尽白眼的街头混混（陈创 饰），滚石一个遭到排挤的转校生（郭可轩 饰），滚石孤独失意的两人，在一系列意外中，成为了彼此唯一的朋友。然而生活给了他们不同的难题，当夏天结束的时候，他们的友情似乎也走到了尽头……
吴克群
回复 :Calvin（吴彦祖 饰）与女朋友楚（林雅诗 饰）、好友四仔合伙开了一家私人侦探社，最主要的业务就是借助一些高科技手段为客人侦查及偷拍目标。当生意蒸蒸日上的时候，Calvin接到了一单新生意，委托人是来自台湾的黄小姐，任务是偷拍台湾政界知名女议员季凤鸣（麦家琪 饰）。Calvin按照一般案子的流程，迅速的将偷拍器材装入季凤鸣的卧室，他与女友则入住了季的隔壁，不出所料Calvin很快拍到了客人想要的录影，岂料在偷拍的过程中Calvin却被季凤鸣吸引，欲调转过来帮助季找出幕后黑手。陷入爱情漩涡的Calvin又卷入更为复杂阴险的政治斗争……该片因影射了2001满城风雨的“璩美凤录像事件”而备受关注。
莉莉金
回复 :坂口健太郎饰演的是可以看到不在此处的“某人的想法”的青年未山。借助这一不可思议的能力，他治愈着因身体不适而烦恼的人、怀有创伤的人，一边贴近着身边的人，一边与恋人、护士诗织（市川实日子饰演）和她的女儿美美（矶村アメリ饰演）过着平静的生活。某天，未山开始感受到不同于以往的 、从未体验过的强烈的想法。来自于高中时的后辈、远在东京活跃着的音乐人草鹿（浅香航大饰演）。为确认想法背后的真意，未山来到草鹿的演唱会现场，与他面对面。草鹿总算说出了过去未山与恋人莉子（斋藤飞鸟饰演）所遭遇事件的来龙去脉。未山与自此事件后从未见过的莉子重遇……因莉子而解开了未山的秘密。他究竟是从何而来的什么人呢？
希亚
回复 :Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
