当一声lesson one响起，亚洲不知你的思绪是否也回到了有朗朗读书声的那间教室，亚洲回到有雷蕾、何玫玫、Jimmy、Lily、Lucy和鹦鹉Poly陪伴的青春记忆。然而，雷蕾和何玫玫最终却没有走到一起……多年后，这些同学们因鹦鹉Polly的葬礼齐聚学校操场，何玫玫带着丈夫韩刚和两个女儿到场，一个叫可可，一个叫惜惜，这对雷蕾犹如晴天霹雳！失意之极的李雷在无意中按动了装有英语听力磁带的录音机，他发现通过磁带的快进倒带键可以一次又一次的穿越。于是，他开始了一次又一次的追回何玫玫计划……
回复 :The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
珍梦海
回复 :The destruction of his grandparents' home leads a young man to take revenge under a masked persona.
回复 :18世纪，一群被逐出境的女人乘坐一艘从西班牙前往美国的船。在未分级的版本里，有着女同志的投射。
