中文字幕福利一区二区三区
地区:日本
  类型:农村
  时间:2025-07-15 12:54:30
剧情简介

黛安·克鲁格、中文字幕艾瑞克·巴纳加盟间谍金惊悚片[女特工](The Operative,中文字幕暂译)。影片由尤瓦尔·阿德勒([伯利恒])执导,根据以色列畅销小说《英语教师》改编。故事讲述一个女性(克鲁格饰)被摩萨德招募成为间谍并潜伏到德黑兰执行任务,而她更要处理自己和上司(巴纳饰),目标人物的错乱关系。

888次播放
185人已点赞
85319人已收藏
明星主演
红粉马丁尼
吴浩康
林良乐
最新评论(631+)

陈乃荣

发表于7分钟前

回复 :当高高在上、不可一世的大明星对上机智隐忍,狂热偏执的娱记,跟拍爆料、激烈碰撞、阴差阳错之下身份互换:从大明星变成娱记的白俊辉(张智坤饰),遇上八字不相合、见面就互怒的菜鸟娱记小美(尹嘉萱饰),乌龙百出,小小娱记能否揭出娱乐圈内幕?从娱记变成大明星的阿鹏(耿一正饰),面对身份的巨大转变,是否能坚持初心不变?他们又将如何继续走下去?能否重回生活本来的轨迹......


辛欣

发表于2分钟前

回复 :Women He's Undressed is a cinema length documentary that explores the life of Australia's most prolific costume designer. Until now Orry-Kelly has been unacknowledged in his country of birth and pretty well forgotten in the adopted country of his greatest success. During the boom years of Hollywood he was the costume designer on an astonishing 282 motion pictures. He designed for the stars like Marilyn Munroe, Bette Davis, Humphrey Bogart, Rosalind Russell, Errol Flynn and many more of the immortals. His films included Some Like It Hot, Casablanca, An American in Paris and Now, Voyager. Orry-Kelly (Jack to his friends) won three Academy Awards and was nominated for a fourth. Orry-Kelly was Head of Warner Brothers Costume Department during the richest period of American film, the establishment of the dream factory and its effect on mass culture. He was outrageous, witty, outspoken, a drinker and uncompromising but he survived partially protected by his friendship with Jack and Ann ... Written by Damien Parer


唱盘刽子手

发表于8分钟前

回复 :To the outside world Joanne is just a book-store owner, but the Conspiracy knows different. She's dangerous. She's a bellwether: a quiet leader who is well on her way to being her whole self. When they kidnap her to break her to make her conform, they discover that Joanne is something so much more than even she ever knew. Joanne is a feminist, one-room, one-character elevated genre thriller. It is a modern rite of passage story which most women have to go through to become a whole human being: How does one be oneself in the face of massive misogyny and hatred (both overt and institutionalized). It is also the world's first one-person film (a movie with only one on-screen character) that features a woman.


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