为了保护儿子,濑亚父亲不惜化身恶魔,濑亚又是一部对印度种姓问题的谴责,上世纪八十年代,高种姓的地主阶级压榨普通农民,逼得一个普通父亲报仇走上绝路。
为了保护儿子,濑亚父亲不惜化身恶魔,濑亚又是一部对印度种姓问题的谴责,上世纪八十年代,高种姓的地主阶级压榨普通农民,逼得一个普通父亲报仇走上绝路。
回复 :《时间的风景》是备受赞誉的摄像师和导演,汤姆·劳的首部影片。影片采用慢镜头与定时拍摄的摄影技术,向我们展示了美国西南部陆地、人文以及野外令人惊叹的瑰丽景色。为拍摄本影片,劳开着他的丰田敞篷小卡车奔走于美国西南部,历时两年。《时间的风景》的拍摄、剪辑和色彩分级均采用4K 分辨率(4096×2304像素),是世界上首部面向公众发售的4K电影。
回复 :故事讲述了一对几乎要离婚的夫妇在徒步穿越哥伦比亚的雨林时被困在流沙中。他们将与丛林中的各种因素作斗争,并必须一起工作。
回复 :A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”