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罗马许愿池边，亚视影城小女孩儿正要把一枚金币投到水池里。拉着风琴，亚视影城敲着架子鼓的孤身艺人却用自己的音乐吸引了她。她崇拜的看着艺人表演，手里的金币一点点移向艺人的口袋。这时另一个以拉小提琴为主的“光杆乐队”却半路杀出，小姑娘在两个优秀的艺人前犹豫不决。两个“光杆乐队”渐渐从卖弄手艺，变成了激烈的竞争，两人都想从小姑娘手里拿到那枚金币。在混乱的争夺中，金币跌倒了下水井里，小姑娘生气的嘟起了嘴。她把手伸向一把小提琴，真正的好戏上演了......
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罗马许愿池边，亚视影城小女孩儿正要把一枚金币投到水池里。拉着风琴，亚视影城敲着架子鼓的孤身艺人却用自己的音乐吸引了她。她崇拜的看着艺人表演，手里的金币一点点移向艺人的口袋。这时另一个以拉小提琴为主的“光杆乐队”却半路杀出，小姑娘在两个优秀的艺人前犹豫不决。两个“光杆乐队”渐渐从卖弄手艺，变成了激烈的竞争，两人都想从小姑娘手里拿到那枚金币。在混乱的争夺中，金币跌倒了下水井里，小姑娘生气的嘟起了嘴。她把手伸向一把小提琴，真正的好戏上演了......
回复 :举报别人易，举报自己难。影片讲述的是一个让上司拉下水的受贿者，在政策的高压及良知的召唤下，几经挣扎，进行自我举报，最终完成了自我救赎的过程。
回复 :Straub-Huillet’s adaptation of Heinrich Böll’s biting satire Bonn Diary presents the reflections of a reactivated officer who is summon ed to the West German capital by the Ministry of Defense to establish an Academy for Military Memories. Straub considered his film to be an intervention against German rearmament in the Adenauer era: "Machorka-Muff is the story of a rape, the rape of a country on which an army has been imposed, a country which would have been happier without one."In "Machorka-Muff," Mr. Straub, employing the cold, somewhat expressionistic but always loquacious approach of his other films, comes closest to underlining the almost subliminal irony of his themes. He briefly outlines, through the performance of Colonel Machorka-Muff, a former Nazi who is reinstated in the Adenauer regime, the unchanging thinking of the Nazi and/or the military mind. As the colonel of the title, Dr. Johannes Eckhardt is properly cold and convincing as the believer in the rights of the soldier. Although it is the shortest and earliest of Mr. Straub's films, it is both the most lucid of his works and the most clearly indicative of his potential as an imaginative filmmaker.
回复 :明德戏院有明德三宝，分别是慈禧太后坐过的金銮宝座，增寿延年的七香茗片和金缕柴烟。八旗遗少伊兰为了一探明德三宝究竟，包下戏院，却在当晚猝死在金銮宝座上。接着包场的妓院老板马蹄莲等人也接连死在了宝座上。而与此同时，丰城又来了个督军孙有志。为了揭开明德戏院的秘密，探长齐悟明以身涉险，亲自坐上了金銮宝座，探长诈死在宝座上，却揭开了明德戏院的秘密。原来明德双宝相容有毒，在酒精的催化下更会要了人命，而一切的始作俑者竟然是督军孙有志……
