何戎队长有一段不愿提起的记忆，联结在那一场火灾当中，联结大火夺去了他昔日战友尹进良的生命，这让他陷入了无比的沉痛当中，为此感到了深深的自责，并下定决心要继续捍卫城市的祥和与安宁。不久，队里迎来了新兵入伍，新兵许淘一心想要成为一名救火英雄，热血带来的鲁莽让何戎队长操心不已，许淘起初对于何队长并不服气，但两人一次又一次共同战斗在消防一线上，见证生离死别。最终许淘完成了蜕变与成长，而最终何队长为了恪守消防员的职责，牺牲在了一次化工厂火灾当中。多年以后，许淘也成为了新一任队长，他像当年一样，教导着兴致高昂的新兵，此刻他心里明白，消防员肩负的不是英雄的光芒，而是救人的责任。
廖子褕
回复 :市井骗子小庄（林更新 饰）机智却爱耍小聪明，以一双“快手”行走江湖，赌局中被“枪手”李若云（张静初 饰）威胁，踏上找回传国玉玺的寻宝之路。途中二人默契配合，与老顽童石佛（腾格尔 饰）、金三娘（刘晓庆 饰）夫妻二人组成“夺宝者联盟”，与觊觎国宝的宋静之（锦荣 饰）等斗智斗勇，夺宝途中一段段故事让人啼笑皆非……
回复 :"The Witch Burnt Alive"After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous."Community Spirit"Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through."The Earth Seen from the Moon"The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific."The Sicilian"Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories."A Night Like Any Other"Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.
李泰祥
回复 :电影《空白》突显现代人与人的关系、家庭羁绊与媒体的真实面目，什么是真的？谁是正义？思绪在意想不到的地方朝着危险方向上被放大，反映了现代社会。登场角色们，在爱和恨的尽头呈现出全体受害者与加害者的样子，将乍看愤世嫉俗的题材混用讽刺的黑色幽默的手法来描绘。这一切的开端始于一个商店盗窃未遂事件，一名女中学生在超市的化妆品柜台被店主看到偷东西而逃离现场，但一出国道就发生车祸事故身亡。女学生的渔夫父亲添田充坚信“女儿不可能偷东西”，让怀疑加剧，并追捕了事故的相关人员。另一方面，由于父亲的压力与媒体报导的加温下，让事故契机的超市店主青柳直人，开车的女驾驶陷入混乱与自我否定。
