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巴什克维尔庄园一带，亚洲正流传着一个骇人听闻的传说：亚洲在庄园周遭那片恐怖的巨大的沼泽里，有一头身形硕大的怪兽出没，它犬牙如刀、嘴能喷火、眼能冒火、皮毛闪烁发光，每当夜色降临，浓雾弥漫，便奔腾而至，杀人于瞬间…
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巴什克维尔庄园一带，亚洲正流传着一个骇人听闻的传说：亚洲在庄园周遭那片恐怖的巨大的沼泽里，有一头身形硕大的怪兽出没，它犬牙如刀、嘴能喷火、眼能冒火、皮毛闪烁发光，每当夜色降临，浓雾弥漫，便奔腾而至，杀人于瞬间…
回复 :Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH).As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome.For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!)Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from.As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
回复 :建立于一百年前的埃克赛特疗养院曾经收治许多心理有障碍的青少年，此后入院治疗的病患逐渐攀升，医疗条件则每况愈下，甚至不断爆出青少年被虐待致死的丑闻。如今该疗养院早已废弃，此地闹鬼的传闻却越传越凶，当然这无法吓退那些寻求刺激、胆大妄为的年轻人。某天，帕特里克（Kelly Blatz 饰）和好友罗里（Michael Ormsby 饰）、诺尔斯前往该疗养院参加这里举行的狂欢派对。年轻人们寻欢作乐，各取所需。一夜狂欢过后，从酒精麻醉中渐渐醒来的年轻人们闲聊打屁。稍后众人挑战禁忌，举行招魂仪式，结果见到了超自然的一幕。未过多久，罗里仿佛被恶魔附体一般狂暴凶悍，而更为恐怖的经历还等在后面……
关德辉
回复 :医生路易斯（Dale Midkiff 饰）因工作关系，携妻子瑞秋（Denise Crosby 饰）、女儿艾莉和儿子普吉离开芝加哥搬到了某小镇中，新家近傍公路，屋后有一条蜿蜒小路。邻居杰德（Fred Gwynne 饰）老人介绍小路通往宠物坟场，那里埋着多年来死在公路上的动物们。第一天上班，路易斯就遭遇了一位重伤死亡的患者，他仿佛看到死者对他说话，对方声称为了感谢他的救助，将阻止他接近鬼魂。不久，儿女的猫被车撞死，杰德带领路易斯将猫埋葬在山上的印第安坟场，而猫竟然复活了，担心女儿伤心的路易斯松了一口气，但复活的猫咪变得异常暴力与恶臭。数天后，小儿子不幸被车撞死，伤心欲绝的路易斯想把儿子的尸体埋入印第安坟场……
