无敌太子爷
地区:其他
  类型:热血
  时间:2025-08-30 04:01:40
剧情简介

无敌Recorded during her Speak Now World Tour in 2011, this live recording collects 16 performances from the country-pop starlet, including all 14 songs from her 2010 studio outing Speak Now, as well as covers of Train's "Drops of Jupiter" and Kim Carnes' "Bette Davis Eyes." The DVD/Blu-ray disc that accompanies some editions of World Tour Live: Speak Now features 18 performances, as well as home movies and rehearsal footage for the show, which was an elaborate affair that utilized dancers, aerialists, numerous costume changes, and a mammoth, multi-stage setup that more closely resembled a high-profile Broadway musical than it a did country music concert. ~ James Christopher MongerThis combo includes a DVD and CD. The DVD gives fans the complete Taylor Swift Speak Now concert experience, showcasing performances of all 17 songs from her Speak Now show, plus additional bonus content. The CD contains over 75 minutes of music, including live versions of favorites from the Speak Now album. The performance is a theatrical presentation of a Broadway experience. The show features elaborate costumes, dancers, aerialists, changing sets, and innovative choreography and instrumentation showcased on a multi-level stage. Taylor plays 5 different guitars in the show, including electric, acoustic, and 12-string. She also plays 2 banjos, the ukulele, and the piano, and changes costumes 9 times over the course of the evening. She moves around the venue and uses different stages, giving every audience member a great seat.Liner Note Authors: Paula Erickson; Grant Garner.Recording information: Atlanta, GA; Love Shack, Nashville, TN; Nimbus School Of Recording Arts, Vancouver, BC.Directors: Taylor Swift; Baz Halpin; Ryan Polito.Editor: Sharon Everitt.Photographers: Christie Goodwin; Austin Swift.Personnel: Taylor Swift (vocals, guitar, banjo, ukulele, piano); Mike Meadows (guitar, banjo, mandolin, background vocals); Caitlin Evanson (guitar, fiddle, background vocals); Paul Sidoti (guitar, keyboards, background vocals); Grant Mickelson, Jody Harris (guitar); David Cook (keyboards); Al Wilson (drums); Daniel Sadownick (percussion); Marlyn Ortiz, Shannon Beach, Charity Baroni, Meredith Ostrowsky, Justin Boulet, Fernando Miro, Dom Kelley, Claire Callaway (dancer); Liz Huett (background vocals).Audio Mixers: Justin Cortelyou; Chris Rowe; Robert Allen; Bob Ezrin; Brian Virtue .

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明星主演
何超仪
赖铭伟
李大龙
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彭芳

发表于8分钟前

回复 :《潮音战纪》,是由腾讯视频出品,企鹅影视、哇唧唧哇、光启传媒联合制作的偶像搭档对决音乐真人秀。该节目着力于寻找新的潮流音乐风向口,为打造潮流音乐的发源地,填补国内潮流音乐节目在大众视野里的空白,邀请了在全亚洲都具有超高人气的符龙飞、宫阁、Jony J、Samuel、伍嘉成、文俊辉、徐明浩、闫桉、周兴哲、周震南共十位潮音偶像参与同场竞技。他们将从编曲、演唱、舞蹈等各方位进行展示,通过舞台表现将自己的独特魅力、超强实力与才华一一展现在每位观众面前。十位潮流音乐偶像齐聚,用音乐进行对话,碰撞出不一样的音乐火花,突破和引导最新的音乐潮流,为亿万追逐时尚潮流的中国青少年提供更符合年轻一代审美的潮流音乐。无论是流行、迷幻还是电子、说唱等,十位潮流音乐偶像代表的是当代及未来的音乐潮流趋势,超前的音乐意识也使《潮音战纪》在音乐类型的综艺中独具一格。


甄楚倩

发表于3分钟前

回复 :本节目将探讨天灾,透过民众提供的惊人画面、让人心跳停止的行动、科学的突破和引人入胜的资讯,让大众了解大自然的力量。 大自然的逆袭: 陨石来袭 Real Time Disaster: Ep 1: Meteor Strike 2013年2月15日早上9点20分,某种不属于这个世界的东西,带着熊熊火光,划过西伯利亚城市车里雅宾斯克的天空。在本集中,我们将介绍2013年车里雅宾斯克陨石攻击事件,公开由目击者所拍下的惊人画面。并且利用这支业余人士所拍摄的影片


小宇

发表于7分钟前

回复 :"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.


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