剧情简介
尼柯林是一位经验丰富的心理学家，荒岛她在一家惩教机构开始了一份新工作。她遇到了伊德里斯，荒岛一个犯下了一系列严重罪行的性犯罪者。经过五年的治疗，他即将开始他的第一个无人陪伴的缓刑期。他的从业团队对他的发展充满热情，但新人尼柯林不信任他，并试图对他的缓刑期施压。伊德里斯尽其所能说服尼柯林相信他的善意，但慢慢地，他变成了她从一开始就在他身上看到的那种控制欲很强的男人。两人之间的权力游戏开始了，尽管尼柯林有知识和经验，她还是完全陷入了困境。
荒岛余生2023
尼柯林是一位经验丰富的心理学家，荒岛她在一家惩教机构开始了一份新工作。她遇到了伊德里斯，荒岛一个犯下了一系列严重罪行的性犯罪者。经过五年的治疗，他即将开始他的第一个无人陪伴的缓刑期。他的从业团队对他的发展充满热情，但新人尼柯林不信任他，并试图对他的缓刑期施压。伊德里斯尽其所能说服尼柯林相信他的善意，但慢慢地，他变成了她从一开始就在他身上看到的那种控制欲很强的男人。两人之间的权力游戏开始了，尽管尼柯林有知识和经验，她还是完全陷入了困境。
陈文浩
回复 :电影《北纬25°天空下》以改革开放40周年和自治区成立60周年为大背景，讲述发生在兴安这座小城，关于青春成长的故事。
回复 :第二次世界大战的最后几个月，22岁的小野田宽郎被征召入伍，并在日本军事学校接受了游击战斗与情报训练。他的训练与传统武士道并不符合，就在被派遣到菲律宾卢邦岛作战时，他唯一接到的命令就是“绝对不准自杀”，无论发生任何状况、都要努力活下去。小野田登岛后的第一项任务，就是摧毁卢邦岛 的机场和码头，反制试图降落的美军战机。但这项任务却告失败，美军的攻击迫使小野田与队友一路撤退，并躲进丛林之中。然而战争竟然很快就结束了。当日本投降消息不断传来，却都被小野田及队友们视为欺骗战术。他们一行人躲在丛林里，以香蕉皮、椰子和偷来的米粮充饥。即使身处蛇虫鼠蚁之间，也绝不因为饥饿而投降。就算日本搜索队找到了他们，也都被认为是诱降的伎俩。小野田一心坚信，他正在执行一项秘密任务，就是要在皇军重返之前控制该岛，他并深信战争从未结束。
萧萧
回复 :In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.
