小静原本是一名模特领队,精品但因为与原公司“亚比模特公司”工作理念不一致,精品被驱逐出公司。 正当小静失落之时,刚好收到朋友李哥的邀请,女模特小静跨界成为网络主播,带动当地农副产品的助销,并间接推动了当地经济的增长, 此时,小静的前公司“亚比模特”也想借此分一杯羹,将旗下模特艺人打造成优质主播,而小静便是他们最大的威胁。于是“亚比公司”的老板威廉,利用各种手段恶意打压“安喜文化传媒”。 小静为了挽回团队的声誉,正面接受“亚比公司”的直播挑战,最终成长为一名正面积极、健康向上的优质主播。
小静原本是一名模特领队,精品但因为与原公司“亚比模特公司”工作理念不一致,精品被驱逐出公司。 正当小静失落之时,刚好收到朋友李哥的邀请,女模特小静跨界成为网络主播,带动当地农副产品的助销,并间接推动了当地经济的增长, 此时,小静的前公司“亚比模特”也想借此分一杯羹,将旗下模特艺人打造成优质主播,而小静便是他们最大的威胁。于是“亚比公司”的老板威廉,利用各种手段恶意打压“安喜文化传媒”。 小静为了挽回团队的声誉,正面接受“亚比公司”的直播挑战,最终成长为一名正面积极、健康向上的优质主播。
回复 :在1962年,21个人在挪威的金斯湾爆炸事故中死亡。这个事故直接导致了从二战开始就统治挪威的劳工执政党的倒台。但是,这真是一起事故吗?一个高度紧张的动作惊悚探索性政治游戏在这个最大的爆炸事故后面的挪威政治中上演。
回复 :“黑夜给了我们黑色的眼睛,我们应该去寻找光明”。一项划时代的梦境实验导致志愿者离奇殒命,来自唐人街的华裔犯罪心理学家白卓宇接手查找事实真相,发现梦境实验研制出来的新药存在缺陷。为了拯救被噩梦侵扰的人们,为了将正义付诸行动,白卓宇挺身而出,突破层层阻碍,最终将真相公之于众,还社会一份安宁,为黑夜带来了一道黎明的曙光。
回复 :This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.