剧情简介
台湾女孩谢怡佳（夏如芝 饰）在做义工时认识了孤寡老人老水发（林宗仁 饰）。为了帮助老水发圆一个心愿，骑士她来到老水发在大陆的老家——宁州。蓝玫美（霍泥芳 饰）是一家旅行社老板的女儿，骑士她喜欢民间摄影家林德（郑凯 饰），并介绍林德做导游带谢怡佳去寻找老水发的故乡。林德和谢怡佳在接触过程中，渐渐被对方所吸引，但却把那段纯真美好的爱情深藏在心里，双方坚守着“等待彼此”的誓言相互思念对方。结果却发现对方已经……
骑士影院动漫
台湾女孩谢怡佳（夏如芝 饰）在做义工时认识了孤寡老人老水发（林宗仁 饰）。为了帮助老水发圆一个心愿，骑士她来到老水发在大陆的老家——宁州。蓝玫美（霍泥芳 饰）是一家旅行社老板的女儿，骑士她喜欢民间摄影家林德（郑凯 饰），并介绍林德做导游带谢怡佳去寻找老水发的故乡。林德和谢怡佳在接触过程中，渐渐被对方所吸引，但却把那段纯真美好的爱情深藏在心里，双方坚守着“等待彼此”的誓言相互思念对方。结果却发现对方已经……
彭怀安
回复 :1947年4月，新生的印尼派遣他們的第一個代表團前往埃及開羅執行一項重要的任務：獲得埃及政府對印尼主權獨立的認可。代表們起初並不知道自己遭遇險境，深陷複雜的政治災難陰謀。荷蘭大使竭盡全力阻撓任務，深知甫建國的印尼獲得他國認可將阻止荷蘭再次殖民這個國家。原以為是一次普通的外交活動，結果竟成為一段極度危險的旅程，充斥著綁架、賄賂、諜報，甚至還有謀殺。
徐清原
回复 :偏僻山间，一僧一道比邻而居。和尚（午马 饰）随和开朗，更有一女徒菁菁（李丽珍 饰）玲珑可爱；道士（陈友 饰）古板严厉，而徒弟嘉乐（钱嘉乐 饰）却鬼马顽皮。性格不同的两个师傅口角不断，大斗其法，两个冤家徒弟也搞笑连连，笑料频出。某天，一支奇异的丧葬队伍路过此地，某边疆皇族中尸毒死去，幻化成僵尸，千鹤道长及王子护送棺木上京。途中遭遇暴雨，棺木被雷劈开，僵尸破棺而出，大开杀戒。乌侍郎（元华 饰）携王子侥幸逃命，但王子已中尸毒。和尚与道士命徒儿照看王子，两人则冲入树林寻找千鹤道长……
回复 :The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
