剧情简介
Truth & Iliza是一档美国的深夜脱口秀节目，费视由喜剧演员Iliza Shlesinger制作并担任主持。每一集Iliza都会邀请不同的嘉宾进行对谈、费视进行辛辣的新闻讽刺、表演单口以及出演小品，以令人捧腹的方式把时事政治和流行文化巧妙结合。本节目与她2014年至2016年主持的播客节目同名，于2017年5月2日首次在Freeform平台播出。
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Truth & Iliza是一档美国的深夜脱口秀节目，费视由喜剧演员Iliza Shlesinger制作并担任主持。每一集Iliza都会邀请不同的嘉宾进行对谈、费视进行辛辣的新闻讽刺、表演单口以及出演小品，以令人捧腹的方式把时事政治和流行文化巧妙结合。本节目与她2014年至2016年主持的播客节目同名，于2017年5月2日首次在Freeform平台播出。
梁咏琪
回复 :"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
陈亚兰
回复 :坐落在这个世界的某个角落的超大型综合动物园「加帕里公园」，依靠着那里的神秘物质「砂之星」的力量，动物一个个都变成了人类的模样。变身成为「兽娘」，来访的人们把她们称为「朋友（friends）」。在热闹中享受着梦幻般的时光。在加帕里公园顺利开业之前，其实有一场巨大危机。这是讲述跨越危机的朋友们和「园长」的冒险故事。担任公园向导的未来小姐和曾经参与冒险的薮猫一行，将这个故事记录了下来。救公园于危机之中的众多朋友们和「园长」出镜的乱哄哄的视频记录，你也来看看吧？
丹尼尔贝丁菲尔德
回复 :第一集第一战之后，随着英国盘算到了战争的毁灭性，以及帝国的衰亡，人们在战间期萌发出了自我怀疑与意识形态危机，这使英国小说界发生了变革。在此期间，一些最为伟大与创新的英国现代小说作品横空出世，它们从此主宰了小说界的命运与财富，永垂不朽。第二集第二次世界大战的尾声迎来了原子时代——那个威斯坦·休·奥登杜撰出的焦虑年代已然来临。大屠杀与蘑菇云霸占了当时人们的情感，随着政治局势的恶化，焦虑、惊骇与惶恐“世界末日大战可能爆发”的情绪日益强烈。新一代的小说作家们身负重任，将遭遇并表达出这个时代。第三集最后探索了70至80年代——这段时期诚如安吉拉·卡特所示，鉴于当时的风俗观念无时不刻不被质疑着，确是“没有什么是神圣的”。由于英国小说猛然成了众人瞩目的焦点，小说家们无疑站在了一场新革命的最前线。作为挑衅的使者们，他们改变了文学思潮，根深蒂固。
